Rory McCann On The Hound Stealing In ‘Game Of Thrones’

SOURCE: Access Online
AUTHOR: Jolie Lash
DATE: 26 April 2014
ORIGINAL: Click here
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While traveling through Westeros in “Game of Thrones,” Rory McCann’s The Hound has found himself in an increasing number of altercations. And the Scottish actor behind the sword-wielding character gave some of the credit for the terrifying nature of those massive, heart-stopping roars he does while fighting, to visits to Britain’s capital city.

“Most of the time, we do all these roars after six months in some studio in London,” Rory told AccessHollywood.com about his impressive battle cry.

“It’s probably getting out my anger of being in London for the weekend. … I do ‘Roaaaarrrrr!’ Yeah, it’ll be — it’s the Highlander in me, must be,” he said.

It’s a pretty impressive sight to see The Hound/Sandor Clegane fighting on the show, but just as impressive in the latest season of the show (Season 4) has been watching the drama between his character and Maisie Williams’ Arya. Whether they are fighting together in an Inn, or she’s taking him to task for breaking his code, they are an engrossing pair to watch.

But while Arya was furious over The Hound’s most recent move – knocking over the man who took them in, and stealing the farmer’s silver, Rory explained how his character justified things.

“He saw them as dead. They’ve got visitors all the time; they’re gonna be killed. He’s on his own, generally. It’s a way of survival. Have to do it. He does it. It’s showing a kind of bad side, but in a way, it’s for the both of them,” Rory told Access. “I think he justified it to himself and still didn’t think of himself as a thief. It was like, ‘That is dead man’s money, so I’m taking it. Thanks for the soup.’

“I think he might have done a couple of chores just before he did that,” Rory added, jokingly. “Maybe he had a sweep around the barn and the barnyard.”

Off screen, other events from the episode — The Hound’s unique way of clearing his nose, and the way he gulped down “rabbit stew” — left the young woman who plays Arya unimpressed, according to Rory.

“Maisie came up to me after that because we did the snot, and all the eating and I was eating loads of food and I remember her just looking at me and going, ‘You’re not embarrassed? You’re not embarrassed with yourself?’ with a really serious face,” Rory laughed, recounting the comments and looks he got from Maisie. “I’m doing the – I call it the ‘shepherd’s blow,’ — and she’s going, ‘That’s disgusting. Disgusting.’ [There were] maybe 10, 15 takes, with the guy going, ‘More snot. More snot.’”

And there’s likely to be much more issues of personal hygiene and fighting as Arya and The Hound continue their Westeros road trip, hoping to get to The Vale.

“They’ve got a run-in nearly every time. Run-ins with each other as well. There’s a lot of arguing,” Rory said.

‘Game Of Thrones’: Maisie Williams’ Bond With Rory McCann

SOURCE: Access Online
AUTHOR: Jolie Lash
DATE: 19 April 2014
ORIGINAL: Click here
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As they fight and gripe their way through Westeros, Arya and The Hound have prompted many fans to wish for a “Game of Thrones” spinoff featuring Arya Stark and The Hound.

The pairing of Maisie Williams’ Arya and Rory McCann’s The Hound, is not only intriguing, but utterly delightful to watch. And off screen, the two actors have formed a friendship.

“She’s amazing,” Rory previously told Access Hollywood of his teenage co-star. “We have great fun. …I really respect her.”

And Maisie also sang Rory’s praises when we interviewed her. But first, she shared a little tease at what’s ahead now that Arya has made her first kill (knocking Polliver off her list in the show’s Season 4 premiere).

AccessHollywood.com: What can you hint at about what’s next with Arya and The Hound? Are they going to constantly be getting into scrapes, following the Polliver/chickens incident?
Maisie Williams: The hint would be there are more people that are gonna get crossed off the list. …That’s kind of the biggest hint I can give and more of that — this new Arya. We’ve now introduced this new Arya. It’s not like she’s lost at all, she’s just completely grown and is now much better — doing much better off.

Access: She was nice around Gendry.
Maisie: Yeah.

Access: And even Jaqen.
Maisie: They all softened her. That’s the thing. I think she realizes that actually, they were great and… she learned a lot, but they weren’t effective, if you understand what I mean. …Saying the names is great, but I haven’t actually killed anyone yet. And with The Hound, brutality kills, do you know what I mean?

Access: Tell me what it’s like working with Rory McCann who plays Sandor Clegane/The Hound. He seems really interesting. He once told me in an interview that he lived in a place you had to row a boat to get to.
Maisie: He lived in this bunker for a while and he’s got a boat and then he also sometimes just camps out in the woods. He’s the coolest guy ever. We chat, and sometimes… when he goes out camping and stuff, he hears noises and he gets scared. When he told me that story, I just cried laughing.

Access: About this giant man getting scared?
Maisie: Yeah, exactly and I was making these weird noises, I was going like, ‘Hsssggggrrrrrrr!’ like that.

Access: Does he talk to you normally, even though you’re younger than he is?
Maisie: Yeah, and he doesn’t have kids either, so this relationship between Maisie and Rory could have turned out completely different, but we’re just like hanging out all the time, just like sat on the floor between takes.

Access: Has he taught you anything? I know he used to play songs on set.
Maisie: He gave me his strumstick at the end of last season.

Access: A strumstick?
Maisie: It’s a guitar thing with three strings that’s really skinny and long and it’s all tuned to a G chord and you can’t play a wrong note on it, so you can just like strum around. …He showed me it and I really, really liked it and then he gave it to me at the end of last year. So then, when I was back at home, I taught myself a few songs, and I came back and I played them to him. And I like did this little song — Jason Mraz, ‘I Won’t Give Up’ — and just sang that for him in one of the rehearsals for the stunts and it’s so funny, all these big, beefy stunt guys, all sat around, and like Rory. And just me like [sings], ‘I won’t give up, on… us.’ So embarrassing.

Access: Awww… They should just deal with it and learn to like pop music.
Maisie: Exactly and sometimes on set, like they’re [doing] really guy things and then I’ll come out with something like ‘Oh! That take, I got a splinter in my hands,’ and they’re like, ‘Ahhh. Oh my God, Maisie. You’re such a girl.’ (laughs). Just every now and then I’ll come out with something, and it’s just like, ‘Why did I say that.’

Access: You know what though? Own it.
Maisie: Own it. I have them all wrapped around my little finger (laughs). I’m totally joking.

‘Game of Thrones’ Q&A: Rory McCann on ‘The Hound’ and Season Four

SOURCE: Rolling Stone
AUTHOR: Sean T. Collins
DATE: 07 April 2014
ORIGINAL: Click here
ARCHIVE: Click here

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The Scottish actor drops hints about the new season, how to have a good time in Iceland and the Hound/Wolf “dream team”

“Did you hear the story that ‘McCann’ means ‘wolfhound’?” asks Rory McCann, the actor who plays Game of Thrones‘s resident wandering warrior/royal-orphan caretaker Sandor “The Hound” Clegane, with great excitement. It’s a fitting question: In talking to McCann, the line between the 6’6″ Scottish actor (his nickname is “Big”) and his larger-than-life role can get pretty blurry. He’s way less mean, but no less a character.

On last night’s Season Four premiere, both the performer and his onscreen counterpart had a breakout sequence. The Hound’s surprise team-up against Lannister goons with his hostage, young wolf Arya Stark (played by the brilliant Maisie Williams), was exemplary of the show at its funniest, bloodiest and most thrilling. And according to the exceedingly friendly McCann, it marks the start of a season-long journey that makes the Hound a once-in-a-lifetime role. Given the lifetime McCann has already had, that’s saying something.

What’s your relationship with Maisie Williams like?
She’s just such a good actress! Really clever, really bright, she knows everything… she’s a real help to me, because I’m a bit goofy and a bit daft. I forget where I am in the story and she knows my lines, my story, where we are, what’s going on, the reason we’re there. I get in trouble for pulling faces, and she keeps me in check. The great thing is, I don’t think she realizes how good she is yet — so don’t tell her.

It certainly looks like fun. At the premiere, the crowd went nuts for it.
That reaction! You’re wondering if the comedy worked, or the tension, but then you could feel the crowd respond. Bear in mind, this is made for people watching it in their living rooms, but there was a packed-out cinema; they were howling and shouting and screaming. Some of the lines they’ve given the Hound this year are incredible. Even in this first episode, just those three words when she says “Lots of people name their swords” and he responds: “Lots of cunts.” [Laughs]

Arya is an asset now, as well. I was getting attacked from behind in that fight, and suddenly she brought the man down. Just watching it makes you bloodthirsty. A little child killing a guy? Yeah! [Laughs] A kind of dream team is formed in that first episode, I feel. She’s got her sword, she’s got a horse, she’s got some food — let’s just go. The script just said “Two killers ride off into the sunset.” Yeah!

That scene’s fascinating, because it starts as comedy and then degenerates into this horrific violence. It’s really funny, but…
…Then there’s brutality ten seconds later. The thing is, the fights are broken off. We worked on just that fight for two days, and then the drama. It’s all chopped up in editing. But for the drama stuff, we don’t workshop it. You just walk in, do a couple of rehearsals for camera, hopefully we’ve got it right, and then we start filming it. But, you know, we have the director coming in and going “More snot, please. Here’s another beer.” [Laughs]

When I had to drink in that tavern scene, that’s David and Dan going “Give him another beer! Fill it right up to the top! Can you down another?” I was really fit at the time, wasn’t drinking, working out, there was definitely no sugar in my body — and suddenly I had six or seven liters of flat ginger beer that day. I had to go off into the woods to make myself sick. They had this new helper, I didn’t know who he was, and they told him “We’ve lost the Hound! We’ve lost the Hound!” I’m on my hands and knees with my fingers down my throat trying to get this bloody soda out of me. He came up like, “Are you — ” [growls] “FUCK OFF!” [Laughs] He ran away into the woods. [high-pitched, scared helper voice] “He told me to fuck off!”

But it doesn’t really seem like it’s hard for you to shake off the Hound when you’re playing him.
No, no. But the reality is, I’m the first guy on set because of this fucking make-up. So I’m getting done for three hours, then I’m getting my breakfast, and I’ve been up for six hours before there’s even a suggestion of getting on set. I end up this big fucking grumpy bastard most of the time. “Kill that guy? Sure.” [Laughs] It’s very easy to be the Hound.

The Hound is complex: He’s funny, scary, tragic… even protective at times.
There’s a lot to him. He’s damaged goods. There’s that burned face— he’s feeling that every day. He’d really love to sort that brother out and rip his bloody head off. He was bullied as a child, and that’s why he’s looking out for Sansa, and why there’s a slight fatherly thing going on with Arya as well. But he hasn’t revealed anything yet, has he? That’s what’s gonna happen this season. He’s gonna open up these naked emotions. He’s gonna reveal what makes him tick.

My audition was a scene of the Hound describing to Sansa how he got his burned face. It happens in the book, and they were gonna film it in the first episode: “Look at me — this is the reason I am the way I am.” Then they decided not to do it. David pushed Dan into my trailer, and I was like, “Why are you pushing the wee guy in? You got something to say?” “We decided we want to bring you in gentler. We don’t want you to talk about yourself at the moment. But don’t worry!” I go “You’re bruising my ego. You’re not… firing me?” “No, no, we’re not firing you! We’re just gonna bring you in slower.” It’s taken four fucking years, but here we go. [Laughs] That’s what’s happening. I’m gonna open up this time. The Hound’s gonna speak freely.

It’s definitely the heaviest acting I’ve ever done. I’ve got it sussed out: When I get a job, I make phone calls to every single person I know and tell them not to bloody call me. [Laughs] “Aw, c’mon, Big, there’s no need for that!” They try and phone, but I can hear the ice in their whiskey tumblers clinking, I can hear them smoking, and I think “You’re gonna take me over to the dark side. I’m Mister Healthy at the moment.” I get really, really, really focused. It’s a bit boring. But I think it works. Before, I’d get very nervous, and now I’m not. People on set told me “Jesus, this is the first time they’ve ever had to put fake sweat on you!”

You guys are shooting in Iceland this year — where you used to live, right?
I hadn’t shot in Iceland with Game of Thrones before — I’d always shot in Malta or Croatia, and [I] was far too hot in that armor. When I was told I was going to Iceland, I couldn’t believe it. Six or seven years ago I went there to do a Viking film, and at the end of it they were like, “You’re going now?” “No, I’m staying.” “No, no, the job’s over.” [firmly] “No. I’ve got my tent. And I’m staying. Thank you very much.” I phoned my agent and went “Don’t phone me unless I’ve definitely got a job.” He didn’t phone me for a year. [Laughs] “Hello? Anything?” I ended up being a carpenter, building houses. Then their whole market crashed, and I borrowed some money off an actor pal that I met up there and hitched out of the place.

I got there last year to do [this season of] Game of Thrones. I’d hitched out of the place on borrowed money, and suddenly there’s this beautiful blonde driver beside this white Range Rover, all smoked out, going [in Scandinavian accent] “Hello, my name is Herta. Should we go skinny dipping before we go to the hotel?” [Laughs] “That would be lovely, Herta.”

Then I was meeting people over there that still didn’t know me as an actor, they just knew me as the guy who used to go to the library. Some still thought I was a local there. I met old friends again, had my bicycle again, did all my old things again. I only partied on the last night, because I was behaving myself. I thought I was gonna have to get my top off for a scene, so I was working out — I mean, I didn’t even drink water for the last 24 hours. On the day, the director comes up to me, and I’ve got dumbells on set, like [makes weightlifting motions] “YEAH! UHHH! FUCKIN’ READY!!!” He touches me on the shoulder and goes “Rory, I was thinking about it last night — I think we’ll just keep the top on,” and leaves me. “Fucking… I haven’t been out for fucking four months! I haven’t had a beer in fucking three months!”

So that night, Maisie was there, it was our last night in Iceland, it was my one night out… and we got stopped by the police. [Laughs] We were all in a van, we had a designated driver, and we were all drunk — but for Maisie, of course — and singing. The police stopped us, he had his hand on the holster, and the driver went “It’s the cast of Game of Thrones.” “Oh yeah? Open up.” I had the nearest seat. I’ve obviously had a few drinks, and I’m very excited. He looks at me, and I go [booming voice] “Hello! I’m the Hound!” And he looks and says “…Hello, Hound! You enjoy Iceland?” I said a few things in Icelandic, and he’s like “Fuck yeah! Well, you have a good time!” And we went on singing. [Laughs] Have you been to Iceland?

No. I’ve been to Scotland, though.
You must go to Iceland if you have the chance. Everyone who goes there… it’s like some kind of therapy. And the Isle of Skye is an incredible place. Did you stay in Portree? The last time I went there, I was hitching, and… [Pause] No, I’m not even gonna tell you. Something bad happened, and basically, I can’t go to Portree anymore. [Laughs] There’s some big fisherman that’s gonna punch me, and I don’t know what he looks like. All I know is his name is Big Murdo.

On a happier note, perhaps, the Hound has a very intense female fanbase.
Oh, really?

Has that registered with you?
Well, I’m aware that there’s fans and they like the Hound, yes. I get letters and all sorts of requests. Yeah, I’m aware of it. It doubles your chance on a Saturday night. [Laughs] I’ve gone to a few conventions and they all go crazy! I’m obviously having some effect, because the times when they have a photo opportunity, you can feel them shaking. Really trembling, like it’s a really big deal. At the end of the day, if there’s a whole line of them, you end up with a sweaty side because of their arms around you.

Maybe they’re scared. I mean, you are the Hound.
I do use that sometimes. If I’m in a pub and I’m not in the mood, people kind of accept it. I remember drinking with Peter Dinklage at a Belfast pub, and you could feel them creeping toward us. I just turned around and went “Fuck off.” They took it right away: “The Hound told me to fuck off, so I fucked off, because he’d kill me if I didn’t.” It probably made their day. [Laughs]

But I do find it a bit overwhelming. Name a city in a random country, and I’ll go to a bar with my head down, and within the first beer someone will go, “Oh my God, you’re the Hound!” I think, “Fuckin’ hell, this is a big show.” It was only a few years ago that I painted bridges on the end of a rope for a living. I’m still waiting for that hand on the shoulder, to say “Okay, fine, I’ll get my coat.” I’m very lucky, and very grateful for it.

You’ve earned the part at this point.
I think I really only got the part because my sister fucked up. She was supposed to print out what I was meant to learn for the audition speech, but she sent me the wrong one — only two or three lines, that was it. I was waiting in this heat wave in London at the casting director’s place, and I see everyone reading this big speech for the Hound about how he got his face burned. I had to delay my meeting for four hours so I could learn it. By that time, I was fucking raging. When I walked into the room, I knew I had to go crazy, so I unleashed all this. It was just a fluke that day — I was just especially angry. [Laughs] Something worked.

Games of Thrones star Rory McCann on his meteoric rise from carpenter to fantasy TV star

SOURCE: Daily Record
AUTHOR: Brian McIver
DATE: 31 March 2014
ORIGINAL: Click here
ARCHIVE: Click here
NOTE: Given other articles I’ve got here and what this one says, it sounds like he spent about two years in Iceland in total, 2006 to 2008.

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THE Scots actor tells how he returned to Iceland to film the new series of the hit TV show just six years after working in the country as a carpenter.

EVERY Game Of Thrones cast member knows how lucky they are to be in this international blockbuster series.

But for Scots star Rory McCann, it really hit home when he set off to film the new series in Iceland – because the last time he visited the country he was living in a tent and working as a carpenter.

The 6ft star had been making a Viking drama on the island six years ago when the acting roles dried up and he decided to stay there, getting work as a chippie to make ends meet.

And he admitted that when he was back there to shoot season four of Game Of Thrones, which returns on Sky Atlantic next week, he couldn’t believe how much his life had changed – so much so, he had to keep pinching himself.

Rory, 44, stars in the HBO phenomenon as The Hound, a fearsome, disfigured warrior who has become one of the central characters in the ensemble epic.

The actor, who also worked as a landscape gardener and bridge painter, said: “I pinch myself all the time – we were shooting in Iceland this year and thinking that it was only six years ago I was working as a carpenter in Iceland. Now I’m back and swanning around in a chauffeur-driven car and part of one of the biggest TV shows in the world. I’m a very lucky boy.

“I had made a Viking film with Gerry Butler and after filming, I just went, ‘I’m staying’ and was there for 11 months. There wasn’t any acting work at the time.

“I had said to my agent to phone if anything was happening but it wasn’t, so I just stayed.

“It was coming into winter and some locals told me I was the only man on the whole island living in a tent, so they helped me get into a house and I found work as a carpenter. The people are so friendly and I loved it there. I would go back in a minute.

“I came back to the UK when a friend of mine told me about a job cutting down trees in Windsor after the hurricane there. Soon after that the Attila The Hun job came along and I was off again.

“I am very lucky in that if I don’t get a job for six months or a year, I’ve got other things I can do and am fit enough to still do physical work. I don’t have a mortgage or kids, so I can lie low and tighten my belt if I need to.”

Given the massive success of Game Of Thrones, it’s unlikely he’ll be digging out his tools any time soon – his next gig is playing a blacksmith in the new Jimmy McGovern series Banished, set in the colonial days of Australia.

He was working as a painter on the Forth Road Bridge when he got his big break as the Scott’s Porage Oats man, walking vested and kilted through the country.

That advert got him noticed and he was later working as a landscape gardener for Scottish writer Annie Griffin when she handed him the script for his first TV gig, cult Scots comedy The Book Group, playing a wheelchair-bound sportsman.

Until his Icelandic sabbatical, he worked on TV shows like State Of Play and Rockface, as well as films such as Young Adam, Oliver Stone’s Alexander and Hot Fuzz.

After Iceland, he worked on Clash Of The Titans and Solomon Kane, before getting the dream job in Game Of Thrones.

Based on the books by George RR Martin, the show tells the multi-stranded story of the fight for the throne of the seven kingdoms of Westeros, which is a grimy medieval world filled with sex and violence and magic.

Rory plays Sandor Clegane, aka The Hound, who was once the bodyguard of the treacherous Lannister family, but who is now a roaming warrior travelling the country with Arya, the pre-teen orphan of heroic Ned Stark (Sean Bean) whose execution at the end of the first season sparked the wars that have defined the series.

Rory, who lives near Stirling, said: “It’s incredible, a great thing to be part of. When I started, they told me a rough synopsis and I sped read the first book.

“Once I found out more, I realised there was a history to it and such a huge following.

“The pilot was shot in Doune Castle so I thought, ‘Here we go, I could be cycling to work’ and it’s a shame that didn’t continue but we film in Belfast and I’ve really enjoyed the trips over there.”

Rory is also one of a few central characters to survive the curse of the ninth episode three years on the trot. Traditionally, the penultimate episode of each season is a bloodbath.

Rory joked: “Aye, when you get the script in for episode nine, you get a large glass of whisky before you open the first page and think, ‘Right, here we go, is it all over and time to get your coat?’

“Anyone who is still alive to get to season four has done very well and it’s a wonder there is anyone left alive, given the amount of death and destruction.

“I’m still just grateful for the part and we’re all happy to be here. My secret is that I make sloe berry gin at home and keep giving it to George Martin, so he keeps me in his tales.”

And while he can’t reveal too much about the plot for season four, Rory promised fans it will be bigger and better.

“I was just in New York for the premiere and it’s looking great. The pressure is always on as they are always looking to step things up. After the red wedding and they got rid of half the cast, I was thinking we have a right good chance of moving into The Hound’s storylines.

“We see him and Arya on their mad road trip, leaving a trail of destruction in their wake and arguing all the way so somehow it’s funny as well.

“We seem to be doing double the swordplay and I’ve still got bruises from the fights.

“There are some moves that have never been seen before.”

Following his own brief encounter with Doune Castle, Rory has been watching with interest the development of Outlander, the new Sam Heughan series, which has been filming in Central Scotland recently.

It’s been billed as a rival for Thrones but Rory is delighted the new show is on the way.

“I’m really excited to see it. I know Sam, an absolute gentleman.

“Something like that being made here is just what Scotland needs and it’s great news for everyone.”

‘Game of Thrones’ actor Rory McCann considers his role as he wanders Scotland

SOURCE: The Los Angeles Times via The Mercury News
AUTHOR: none given (Los Angeles Times)
DATE: 08 May 2013
ORIGINAL: Click here
ARCHIVE: Click here
NOTE: If you have ever seen that photo of Rory in the beret, scarf, and three-piece suit with vest (outfit color scheme basically greens, browns, and maroons with a black hat) and wondered where it was from, I’m pretty sure it originated here.

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GLENCOE, Scotland — The Hound is alive and well in the North. At least for now.

Rory McCann, known to fans of HBO’s “Game of Thrones” as Sandor “The Hound” Clegane, strolls into the parking lot of a popular climbers haunt in the heart of town. The large Scotsman looks every bit the rugged outdoorsman coming in from a Highland winter, dressed in layers of wool, goose down and tweed. Yet his demeanor warms when he smiles, explaining the morning’s adventure in his native Scottish brogue.

“My car won’t start. I had to park it back there on a hill so I can get it going on the roll,” he said. “I may need a push.”

Born and raised in Glasgow, McCann, 44, is home in the northern Scottish Highlands, even mooring his sailboat in a region known as Wester Ross — almost the identical name of the fictional continent, Westeros, at the center of HBO’s hit fantasy series. Yet beyond his size, a nomadic lifestyle and solitary tendencies, he doesn’t see many parallels with his fearsome character, long a fan favorite of the popular genre drama based on the writings of George R.R. Martin.

“The Hound is a tortured soul, bullied as a child and forced to be a bodyguard for someone he doesn’t like. I can’t say I relate, much,” he said. “Though it was meant to be. You know, my name McCann actually translates from ‘canis,’ or ‘canine.’ I am a hound.”

McCann’s path to bad-boy sworn shield is the stuff struggling actors envy. Broke and hitchhiking through Llanberis Pass, Wales, in 1987, he came across the “Willow” movie set and an extra casting call for two tall men to play drunks. At 6-foot-6, McCann got a spot.

“Unfortunately, I didn’t understand how serious the whole business was, and I kept laughing during takes,” he said. “I was eventually chucked off the set.”

Still, McCann was inspired by the experience, and he sought an agent in Glasgow. But acting work was hard to come by for a then-untrained actor, and he spent the next several years working as a forester, tree surgeon, bouncer and even a painter on the iconic Forth Rail Bridge.

Finally, he got a call from Scott’s Porage Oats, which was looking for an actor to portray the man on its package in a series of television commercials. McCann, a dead ringer, soon found local fame as the strapping Porage Oats man, strutting around wintry scenes in a kilt — and sometimes less — kept toasty by his porridge.

A few years later, he landed his first real break, a role in the BAFTA-nominated Scottish comedy “The Book Group.” The show was the brainchild of American filmmaker Annie Griffin, whom McCann once took climbing. While in the mountains with Griffin, he shared tales of his outdoor adventures, including the dramatic story of his near-fatal accident in 1990.

Climbing solo, he had gotten stuck on an overhanging rock face in Yorkshire, holding on until his strength gave out. He dropped more than 70 feet, breaking both ankles, an arm, a wrist and fracturing his skull. With the help of a friend who saw the fall, he lived to tell the tale.

Months after their climb, Griffin sent him a script for the newly developed show, inviting him to play the part of Kenny McLeod, a former climber who became a paraplegic in a fall.

“Reading the script, I couldn’t believe it. Those were my stories, my experiences, my fall, but with an alternate outcome,” McCann said. “Of course I took the part.”

A self-described man’s man, he chooses to live a mostly lone, transient lifestyle, a choice that allows him to fully enjoy the stunning hills, glens and lochs of the region. He says one acting job can sustain him for a year or more as he moves between his sailboat and trailer, hiking, climbing and camping wherever the mood takes him.

“This place feeds my soul,” he said, leaning forward to look up at Buachaille Etive Mor, covered in a fresh coat of January snow. “I’m blessed.”

Game Of Thrones’ Hound on bumfluff, hugs and the magic of Wilko Johnson

SOURCE: The Guardian
AUTHOR: Graeme Virtue
DATE: 29 March 2013
ORIGINAL: Click here
ARCHIVE: Click here

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Rory McCann has done his fair share of cleaving as Sandor Clegane. But, like his fanfic-inspiring antihero in Westeros, this Scots actor is a soulful sort of fellow

By his own admission, Rory McCann is a big man, and he’s struggling to adjust to the heat of Santa Monica. The towering Scot who plays Sandor “the Hound” Clegane – foremost sword-swinging badass in a series not lacking on that front – is in LA for a Game Of Thrones premiere and goblet-clanging celebratory shindig, along with 23 other stars from the show. “So about 20% of the cast,” he chuckles.

The ever-expanding character list of HBO’s blood-spattered epic has become a running joke: season three adds Diana Rigg, Paul Kaye, Mackenzie Crook and more to the pool of Britain’s GoT talent. But in Westeros, the medieval-ish land of fleshpot diplomacy and lethal realpolitik described in George RR Martin’s fantasy doorstops, there’s a high degree of natural wastage. Just ask Sean Bean.

The Hound has done his part to keep the population down, cleaving folk in twain with grim efficiency. With his Freddy Krueger face and disagreeable fealty to a callow king, Clegane should be a clear-cut baddie, someone to hate just as much as spiteful nyaff Joffrey. But under all the scars and muck, there’s a soulfulness to McCann’s performance. Whenever the Hound edged towards heroism – like saving young Sansa Stark from sexual assault – it sparked off a new round of breathless fan fiction. And when, at the end of season two, he memorably resigned from the post of royal bodyguard – “Fuck the king,” he muttered – everyone was suddenly on Team Hound.

So, newly unleashed, where is Clegane’s head at for season three? “By disrespecting Joffrey publicly, he really signed his own death warrant,” sighs McCann. “He’s essentially an outlaw.” In the simplified economy of Westeros, surely his deadly skillset would make him attractive to potential employers, even without a reference? “There’s probably not many people who can overpower the Hound,” he admits. “But he’s got issues, he’s the product of a brutal past. He needs therapy. Or maybe he just needs a cuddle.” A hug looks unlikely: McCann is something of a hulk already and trained for over three weeks for a one-on-one fight scene in Season Three that he claims will change the Hound forever.

The idea of the Hound as a wandering ronin echoes McCann’s unconventional lifestyle. He’s accumulated a collection of swords and armour from his various roles in historical and fantasy movies such as Solomon Kane and Clash Of The Titans, but doesn’t have anywhere to display them. “Home for me is my boat, really,” he says. (It’s currently moored in the Highland region of Wester Ross, a place that inspired the young George RR Martin.)

McCann’s first acting gig was 25 years ago, when he stumbled across an open casting call for Ron Howard’s Willow while hitchhiking in Wales. Soon he was standing next to the legendary Pat “Bomber” Roach in a quarry trying to look like a fearsome warrior. “I was a bit of a late developer and everyone was saying, ‘Whatever you do, don’t shave,'” he recalls, “and I hadn’t really started shaving. I remember rubbing the soot from a kettle on to my bumfluff to make it look more like I had a beard.”

In his time, McCann has also worked as a painter on the Forth road bridge and – just before booking his Game Of Thrones audition – he was lumberjacking, an axe-swinging furlough that seems pretty appropriate. He regularly misplaces his mobile phone – “Although no one seems to mind,” he says – and while he’s taking a series of meetings in the US, he sounds more excited about getting back to his boat. “I’m in the process of replacing all the rigging, so soon I’ll be able to get out there and do some real high-seas sailing.”

The Game Of Thrones books are subtitled A Song Of Fire And Ice, and more music is creeping into the TV version. McCann approves of a bawdy drinking song recorded by the Hold Steady, and there are grubby cameos from Gary Lightbody of Snow Patrol and Will Champion of Coldplay. Dr Feelgood guitarist Wilko Johnson, recently diagnosed with pancreatic cancer, also reprises his role as an executioner, although he offered the Hound axe advice of a different kind. “I’m just looking over at the guitar I take with me when I’m travelling,” says McCann. “Wilko signed it and gave me a couple of lessons, told me never to use a plectrum and just bash it till my fingers bled. I swear to God he put magic dust in that guitar. Just by him touching it, I’m sure I got 15% better. He’s an incredible guy.”

But what about the Hound? Under the scowl, does he have an untapped musical side? “He’s not just a loner sitting in the corner looking grumpy all the time,” says McCann. “I can see the Hound maybe rattling up a song when he’s absolutely upside-down with drink. I’m not saying he’s at the piano or playing the ukulele, but I’m sure in the right situation he’d be giving it laldy.”

Game of Thrones’ Rory McCann on series 3

SOURCE: The Scotsman
AUTHOR: Andrea Mullaney
DATE: 28 March 2013
ORIGINAL: Click here
ARCHIVE: Click here

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AT LAST month’s Glasgow Film Festival, the biggest queue for tickets – down the street from the Glasgow Film Theatre and back up again, with a few hundred turned away disappointed – was to see an episode from a TV show which most of the audience had already seen on a smaller screen, and an unspecified cast member.

But Game Of Thrones’ popularity goes even further than the usual cult audience: the series has become a mainstream phenomenon. It marries the big-budget, high-quality attention to detail and gritty realism that America’s HBO channel has become known for with the fascinations of an invented world, loosely based on Britain in the time of the Wars of the Roses, but with added magic.

Trailers for the upcoming third season (shown here on Sky Atlantic) have been avidly scrutinised: one had 16 million views in a week. The number of subscribers to HBO, which had previous hits with Sex And The City, The Sopranos and The Wire, has increased and George RR Martin, the source books’ author, has been signed up for a prequel series and perhaps other shows.

Since Lord Of The Rings, the fantasy blockbuster has been big at the cinema, but previous TV shows set in magical worlds have tended to be lighter, family-friendly fare. A funny viral video doing the rounds recently showed the difference by re-editing the Game Of Thrones credits in the style of 1990s knockabout Saturday morning fare Hercules: grinning heroes, comical sidekicks, a bit of swordplay or thrown punches, but everything ending happily.

That is really not Game Of Thrones’ style: from the frequent deaths (Ned Stark, played by Sean Bean, the biggest name when the show began, meets a grisly end in series one; they even broke the cardinal Hollywood rule that The Dog Always Survives) to the annoyingly gratuitous female nudity thrown in whenever an exposition scene might otherwise drag. But leave aside the dragons, smoke monster and warlocks, and the story’s probably a more realistic take on the Middle Ages than some: the show gets across the arbitrary dangers of war, the gulf between the wealthy and the poor, the constrained role of women and the general grubbiness of everything.

It’s a complex, dark tale, based on a sprawling, ongoing book series, which on screen conveys an ambitious scope, switching from the icy landscapes of the far north of its land, Westeros, to the warmer climes of the south and east. With a large cast of characters – though Peter Dinklage, who won Emmy and Golden Globe awards as the clever and vulnerable Tyrion, has perhaps proved to be the main breakout star – and separate storylines filmed in different countries, there’s a mammoth production behind the show, with a reported budget of $6 million (£4m) per episode.

The cast representative at the Film Festival, to the delight of fans, turned out to be Rory McCann, who plays the scarred and bitter killer known as The Hound. He’s just one of the many Scots involved – others include Richard Madden, James Cosmo, Iain Glen and, in wardrobe and props, McCann’s own sister and brother-in-law. It’s partly a remnant of some series one filming here and subsequently in Northern Ireland, partly the story’s rough concordance with the British mainland where “beyond the Wall” represents the untamed Highlands.

McCann – a slightly shy, intense man often cast for his imposing two-metre (6ft 6in) height, whose previous roles include Scott’s Porage Oats adverts and The Book Group – entertains the audience with anecdotes and a contest to win his battered copy of one of the novels. But afterwards, he’s clearly still trying to get his head around making public appearances – it’s only his second fan event – and the popularity of the show itself.

“I feel I’m not very articulate sometimes,” he says, “but some of the answers are starting to come quicker. I am not that comfortable but kind of feel that I have to do it, not for a fee but it’s very humbling to be asked. Especially when I think of all the times of trying to get a bit part in Taggart and not getting it.

“I’m part of an amazing show and would quite happily have been a spear carrier at the back – which I thought in a way I was at the beginning, until I started to read on. I’ve played many a bouncer or a spear carrier. At least I’ve got a character name and don’t die on page 20.”

In fact, the episode just shown on the GFT’s screen is the first one he’s watched all the way through. “I don’t have Sky,” he says flatly. “The people I hang around with don’t have Sky either.” And no, he couldn’t just get the DVDs, as it transpires that McCann’s life – when he’s not filming – is almost as spartan as his character’s. He lives alone “on a boat” most of the time, which he sails around Scotland, stopping off in remote places like Knoydart. And his approach to playing The Hound – a character of few words – is as serious as a method actor’s.

“It’s all about this job. I know it’s coming up every year and I’ll not take another job before I’m shooting, because there’s a right good chance I’m gonna have a stomach upset or something. Anything that could affect this is out, I want to be on form. So much so that at least two months before filming, I literally phone up all my friends and say, ‘Don’t phone me at all till the leaves fall off the trees.’”

“I have no contact at all with anyone. I’m on my boat, training, rehearsing, I spend all my energy on the job that’s coming up and I found that’s the way that works for me. The more energy you have on set the better you’ll be, it’s all about being alive in that moment and listening. So most of the time I’m just curled up trying not to talk and conserving that energy. Or hanging off a mast on my boat in a stormy sea trying to shorten my sail and thinking, ‘Maybe this is irresponsible…’”

All this, in an age when many actors are tweeting their upcoming screen appearances or being seen at a string of red carpet events, makes McCann something of a throwback. He frequently references the time a few years back when, fed up with the only acting offers coming in, he took off for Iceland and spent a year working as a carpenter. “I don’t have a mortgage, I don’t have a wife and I don’t have kids, so I’m quite happy bumbling along. I try not to do any crap. The last thing I was asked was to play Samson in a Biblical film – well, I’m not getting down to my pants and doing religion,” he shudders. “I’d rather go and chop trees.”

Yet, as part of a successful TV show that everyone wants a piece of, that’s probably not going to happen. For all McCann’s ambivalence about the showbiz life, he’s agreed to meet with “people who maybe want to employ me” in Los Angeles. “It’s not my place at all, but I think it’s the right thing to do. It would be wrong to say no,” he says, uncertainly. “I don’t know if I’d want to move there and I can’t be working down in London, it kills me – it’s the noise.”

McCann and the rest have already finished filming the ten episodes of series three, which is set to ratchet the excitement up even higher as the plot thickens. “You’re gonna love it,” he teases. And, going by the show’s success so far, he’s probably right.

Dog Soldier

SOURCE: SFX
AUTHOR: Will Salmon
DATE: January 2013, see Note below
ORIGINAL: Print-only, no online original.
ARCHIVE: Nothing on Internet Archive since no online original.
NOTE: I had seen this around as a screenshot or a scan in various places on Pinterest. As of July ’23, I no longer remember where I finally found the entire article. It might have been a very clear screenshot, or perhaps I found the magazine this hails from. Whatever the case, there seems to be no online version of the article. Except possibly here and in a couple other places where fans put it up so it would be readable.

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He ain’t nuthin’ but the Hound. Will Salmon meets Rory McCann to talk Thrones, werewolves and being “Yarp”…

Rory McCann sounds a bit gruff today. You might not be surprised to hear that about Sandor Clegane aka the Hound — one of the toughest men in Westeros — but there is a practical reason.

“There was a fight scene that I was involved in — a sword fight. We were training with the stuntmen for over three weeks to do this thing. I was training really hard. There’s a lot of screaming and shouting.” That explains the two days of ADR (additional dialogue recording) he’s just completed. “It’s been the longest session I’ve ever done. Normally you’re done in half a day with my character, but this time… I think it’s a reflection of the fact that I’ve got a bigger part this year, I dunno.”

So, more to do for the Hound, a big impressive sword fight… It sounds like circumstances have drastically changed for the man who we last saw leaving King’s Landing under a cloud. “It’s expanding, and I’m coming into my own, character-wise,” he says. “I’ve moved away from this big staffed castle, with hundreds of people, and it’s turning into almost a road trip — with a few skirmishes along the way!” I’m now imagining Dude, Where’s My Car? with decapitations.

“It’s great fun. I reveal my character a little bit more now. I mean there’s even a chance of humour for the Hound this year. You wouldn’t believe it, but it’s true! I only saw that in playbacks last week. There were some people laughing, but it was okay to laugh. It’s all good.”

Rory McCann had an unconventional introduction to acting. The 6ft 6in Scotsman left school and joined the Forestry Commission. After working as a tree surgeon, he moved into rope access jobs, one of which was painting the Forth Rail Bridge [sic: Forth Bridge], west of Edinburgh. A documentary was made on the men who abseil off the bridge every day, and Rory was there, singing away. Someone spotted him, and offered him an ad for Scott’s Porage Oats. That, in turn, led to a number of small roles (you can spot him in the second episode of the rebooted Randall & Hopkirk (Deceased) playing a bouncer, and he was an extra in Willow [sic: you will never see him in Willow, as he was fired from set for laughing during takes]), before his breakthrough performance as wheelchair-bound Kenny McLeod in The Book Group — a role that earned him a Scottish Bafta. Hollywood beckoned, and he has since carved out a bit of a niche for himself as a sword-wielding warrior, appearing in Alexander, Solomon Kane, Clash of the Titans, and, er, Season Of The Witch.

But perhaps his most memorable movie role, at least for SFX readers, was 2007’s Hot Fuzz, where he played Michael “Yarp” Armstrong. “That was a pleasure,” he smiles. “I remember them going, ‘He really is Yarp!’ because I was the custodian of a castle.” Wait… what?

“For a while, I was living in a mock castle in front of a real castle. There was a giant wheel in the lounge. All I had was a chair, a grand piano, a giant German Shepherd and a fully dressed Highland dummy called Rab. He was my only friend. My job was to see who was calling before I opened those two giant oak doors. I was the guy that would open a smaller door within the big door and say, ‘YOU RANG?'”

Er… okay. “So I got the call. I didn’t really understand how big the part was. I thought, ‘Well, you never know, John Mills won an Oscar playing a village idiot.’ I went along and I heard who was in the cast and it was fantastic. And I knew that I wouldn’t be up worrying about my lines, because it would just be ‘yarp’. Simon and Nick were really good fun, and all the old characters… Edward Woodward! And lovely Jim Broadbent. That was an easy job. It was great.” So he’d work with Edgar Wright again? “The last time I saw him was in Iceland and he was dancing with Björk — I’d jump through any hoop for him.”

BLOOD AND WATER

But back to the Hound. Sandor was last seen departing the battle of the Blackwater, having made everyone cheer with his declaration, “Fuck the Kingsguard, fuck the city, fuck the king!” So how is he going to cope away from King’s Landing? “He might hit the bottle hard after leaving,” Rory says. “That [the episode ‘Blackwater’] was incredible. It was a night shoot for a start, and it went on for at least a couple of weeks. Night shoots are hard enough for a few days, but when it lasts for weeks… The weather was atrocious, but the DOPs loved that. Armour and rain really work, apparently. They like the glow and the sparkle and the water, but it led to problems. There were rivers that weren’t there before, and extras lying in pools of mud and blood and water… People were half hypothermic. It was wild.”

That episode was directed by Neil Marshall, best known for his horror movies The Descent and Dog Soldiers. “I’m terrified of werewolves,” Rory says with a chuckle. “I understand some people find it very funny, but I can’t watch it! Neil’s known for very good blood and gore and I think that’s why he was brought in. He was great to work with.”

It’s becoming ever clearer as the series progresses that there’s a streak of nobility in the Hound. “Well, it’s a thought that he’s more of a true knight than any of the others. Even though he’d never want to be a knight — he can’t bear them — he believes in their values. But listen, he’s not all good. He’s done some terrible things. Mostly under orders, though…”

Ah yes, orders from Westeros’s demented boy king. “He doesn’t like Joffrey, but he does what he’s told. But maybe that’s changed now… the Hound at the moment is an outlaw.” But while Sandor may hate Joffrey, Rory is full of praise for the man who plays him, Jack Gleeson. “He’s a very clever, witty, fun guy. He’s a good magician, y’know? He likes slight [sic] of hand and stuff like that. Quite old-fashioned in some ways. The first time I met him he was smoking a pipe! He’s such a great actor, a nice guy and he plays, so convincingly, a little shit!” So convincing, I’ve heard rumours that he occasionally gets grief from angry viewers. “If I knew someone was giving him hassle, I’d rip their bloody head off,” Rory growls. Yikes.

But what about Sansa, the young Stark who Joffrey has specialised in tormenting. It’s fair to say that the Hound has a soft spot for her. But why? Is it paternal? “He’s seeing the similarity to his own upbringing,” Rory says, referring to Sandor’s troubled backstory. “There are memories being brought back of being bullied by his brother, and he hates that. And she’s everything that he isn’t — there’s a purity there.”

Some fans have speculated that he might have a romantic interest in her. “A fondness and stuff… I don’t think there’s any of that, really. He’s protective and frustrated at seeing her living in airy-fairy land.”

GETTING INTO CHARACTER

In reality, Rory is a genial, funny and charming man, very different to his taciturn character. Today he’s wearing a natty red scarf and navy beret that you can’t imagine the Hound ever going near. Getting into character is a long process of physical exercise, hours in the make-up chair and concentration. “It still takes about an hour and three quarters to put on all my stuff, so I’m usually the first in actor-wise.” Not that he’s complaining. “We haven’t got the longest shifts. People like make-up and wardrobe, anyone like that… they’re the first in and the last out. They’re the hard workers really. We’re still pampered.”

In terms of exercise, Rory foregoes a personal trainer, preferring to run five or six miles a day and hit the gym in the evenings. “And I don’t smoke, and don’t drink for at least three months before a job. I’ll phone up my friends and tell them not to speak to me until I’ve finished, because they drink too much! I’m quite reclusive at the best of times but when I’m working, you never see me. I feel like a soldier training, or something — it’s all about the job. I had to bulk up this year because I knew it would be particularly physical. That fight was the hardest thing I’ve done so far. We did it in intense heat and I’m carrying so much armour with this costume. But it paid off.”

Ah yes, back to the fight. It must be tough wearing that much clobber. “Yeah, yeah… I can’t pick it up. The wardrobe department needs a wheelbarrow to carry my costume around! There’s so many layers and ropes and stuff, and a big cloak. It’s all good fun!”

And being on the road brings its own set of problems for the Hound. “The main thing is that I’ve got very rusty armour, so everybody can hear me coming! I think there was some page oiling and cleaning his armour every night, before. There ain’t no page in the countryside. You can hear him before you see him now: squeak, squeak, squeak! I think that’s why I’ve been in the sound studio for so long.”

Can he tell us who he meets along the way? “That’s a total spoiler. I’d have my bollocks cut off if I told you,” he grins, and says no more.

Game Of Thrones: Sophie Turner On Sansa Stark’s Blackwater Bravery [Excerpt]

SOURCE: Access Online
AUTHOR: Jolie Lash
DATE: 29 May 2012
ORIGINAL: Click here
ARCHIVE: Click here
NOTE: Excerpt only, just because I like the little side conversation about Rory. Obviously, go to the original or archive links to read the rest.

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Access: Speaking of music, Rory [McCann, who plays The Hound] told me at the very beginning of the season that he had a guitar on set and the kids on set would ask him to play songs from ‘Glee.’ Is this true and were you a part of it?

Sophie: Oh, I didn’t know this… I remember once, we were in Scotland and we were shooting the pilot, Rory got up on the piano and started playing in this bar in Scotland and everyone was joining in. It was really nice.

Access: He seems like a fun guy, but I would be weary of his pranks.

Sophie: Rory? Yeah, I can definitely see this. He’s a really cool guy though. He’s so nice and I don’t think he gets enough credit for his work. He’s awesome. I love him.

Starfury Throne Con [Excerpt]

SOURCE: JacMac’s Blog
AUTHOR: Jackie MacPherson
DATE: 20 March 2012
ORIGINAL: Click here
ARCHIVE: Click here
NOTE: Only part of this article is about Rory and I’m not feeling a need to reproduce the whole thing. If you want to read the whole thing it’ll be at the original-article or archive links above. Also, for an accompanying photo album with lots of good Rory shots, click here. Same guy, same event.

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Rory started the weekend wearing the Hound helmet t-shirt which got a cheer. I nearly dropped my camera during his first talk when he shouted “look at me!” Another common request was “Yarp!” 😉 He says he’s always recognised in Scotland as the porage man and apparently judged a porage cooking competition in my home town where he had to try porage with herring in it. Bleurgh. He also talked about his sister and her work on Game of Thrones (I didn’t know she did!). She works in the costume department and occasionally they’ll bump into each other and have a mini giddy moment. She also helped out on the Beowulf film that was shot in Iceland with Gerrard Butler.

Rory loves living on his boat and wants to sail it to Belfast instead of staying in the hotel. He’s not sure DnD will let him though. His dream is to get the boat kitted out enough to go sailing around the world. Rory also makes his own Sloe Gin with a little help from the fairies. I had no idea that there’s such secrecy on the whereabouts of sloe bushes!

He seems to be a man of opposites. He loves his isolation and shuns the lime light but also seems to have a desire to perform. He and Miltos sat with Louise and I on Sunday night blethering away. Great chat and lovely guys. Most memorable fact to find out about the big man, he used to be in a band with Carol Smilie which included fire extinguishers and capes! That’s probably more amusing for UKers who know who Carol Smilie is 😉

I asked Rory what it was like working with Jack Gleeson. He says he’s really a lovely young man who’s studying philosophy at Uni at the moment. On the Saturday he admitted to being a bit of a joker on set. He’s been known to be on all fours in front of the Iron Throne woofing away, rolling over and getting his tummy scratched. He also likes to steal people swords just before a shot.

//Spoilerish question
He’d expressed regret his audition scene wasn’t in season 1 and how maybe one day he’d get to do something like it. I asked how the SanSan relationship was going in Season 2. He said there had been 3 options that they tried out and have gone for one that well the fans will just have to be happy with. He seemed to hope they would be.

He also stated he’s really looking forward to working with Maisie.
// End of spoilerish questions